Statement

pavementMy paintings are mainly the material manifestations resulting from impressions of places, events or moments that caused me to stop and think or just happened to be interesting. I also have ongoing relationships with colour, composition and perspective which can – and sometimes do -  take over the original intent.

I am a professional artist but am not too concerned with making accurate pictorial records – the camera and smartphone do it far more accurately than I ever will – but if a particular place, building, event, object, etc. sets me thinking I do like to investigate further. Having found a subject of interest, I like to explore it in visual terms. I find the aesthetic far more challenging than the reality.

Nowadays, most of the paintings are acrylic on cotton canvas although I have painted on composite and wood panels as well as sheet steel (car panels) in the past. Whilst I admire the painterly qualities of traditional oil paintings – particularly the Newlyn School – I have no desire to emulate them. I am also very taken by the work of those artists who contributed to the transport posters of the ’20s and ’30s, a fact that becomes evident from time to time.  I work with only three colours, the primaries, plus black and white. Mixing is usually done on the palette rather than ‘wet on wet’. The result leaves flat areas of colour with little in the way of texture but a very close colour harmony.

My work has been exhibited in London and New York as well as East Anglia, the UK Midlands and South West and lately in France. Many of the paintings on this site are now in private collections in Europe, the USA and Australia.

I work mainly towards open exhibitions and competitions but welcome commissions.

I hope you enjoy viewing the paintings on this site as much as I enjoyed painting them.

Alan Taylor, Bayeux, 2017

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